{"id":4802,"date":"2018-05-24T16:43:41","date_gmt":"2018-05-24T15:43:41","guid":{"rendered":"http:\/\/bdmiam.fr\/?page_id=4802"},"modified":"2018-05-24T16:43:41","modified_gmt":"2018-05-24T15:43:41","slug":"nicolas-petrimaux","status":"publish","type":"page","link":"https:\/\/bdmiam.fr\/index.php\/nos-artistes\/nicolas-petrimaux\/","title":{"rendered":"Nicolas Petrimaux"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2018\/05\/nicolab.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2018\/05\/nicolab.jpg?resize=213%2C300&#038;ssl=1\" alt=\"\" class=\"size-medium wp-image-4813 aligncenter\" width=\"213\" height=\"300\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Nicolas Petrimaux<\/strong> d\u00e9bute sa carri\u00e8re en 2004 au sein du studio Visiware, sp\u00e9cialis\u00e9 dans le d\u00e9veloppement de jeux sur mobile et plateforme de t\u00e9l\u00e9 interactive (Canalsat, Open TV), sur des licences comme <em>Fast and Furious<\/em> ou <em>King Kong<\/em>. En 2006, il rejoint le \u00ab\u00a0lab\u00a0\u00bb, d\u00e9partement cr\u00e9atif de la soci\u00e9t\u00e9 Sparx-FX (devenu Snarx-FX en 2008) o\u00f9 il r\u00e9alise story-boards, concept design, trucages, effets sp\u00e9ciaux&#8230; Il y r\u00e9alise son premier court m\u00e9trage <em>Allo Zombie<\/em>, r\u00e9compens\u00e9 en 2007 par <em>Mad Movies<\/em>. En 2008, il int\u00e8gre l&rsquo;\u00e9quipe de concept-artistes chez Wizarbox pour travailler sur le d\u00e9veloppement du jeu <em>Graymatter<\/em> sorti en 2011 sur PC et Xbox 360 et r\u00e9alise une partie des cin\u00e9matiques du jeu. En 2009, il assiste Karine Le Logeais (Kness) et Carlos Pardo (Made) lors de la cr\u00e9ation de CFSL Ink, une structure \u00e9ditoriale orient\u00e9e dans les ouvrages d&rsquo;art. Durant pr\u00e8s de 3 ans, il accompagne le d\u00e9veloppement de la soci\u00e9t\u00e9 en travaillant sur des taches diverses: maquettes, direction artistique, supports de communication, organisation d&rsquo;\u00e9v\u00e9nements. Parall\u00e8lement, il continue \u00e0 travailler en ind\u00e9pendant en tant qu&rsquo;illustrateur, story-boarder, r\u00e9alisateur et directeur artistique.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2018\/05\/nicolas-petrimaux-ramirez-silentasagrave-coverld.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2018\/05\/nicolas-petrimaux-ramirez-silentasagrave-coverld.jpg?resize=249%2C374&#038;ssl=1\" alt=\"\" class=\"alignnone wp-image-4807\" width=\"249\" height=\"374\" \/><\/a> \u00a0 \u00a0 <a href=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2018\/05\/nicolas-petrimaux-teaser06-fr.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2018\/05\/nicolas-petrimaux-teaser06-fr.jpg?resize=251%2C371&#038;ssl=1\" alt=\"\" class=\"alignnone wp-image-4808\" width=\"251\" height=\"371\" \/><\/a><\/p>\n<p style=\"text-align: center;\">Source : <a href=\"https:\/\/www.artstation.com\/nicolab\" target=\"_blank\" rel=\"noopener\">ArtStation<\/a> ; <a href=\"http:\/\/www.glenatbd.com\/auteurs\/petrimaux-nicolas.htm\" target=\"_blank\" rel=\"noopener\">Gl\u00e9nat<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>Nicolas Petrimaux, \u00e9tant dans la promotion de sa derni\u00e8re s\u00e9rie,\u00a0d\u00e9dicacera uniquement\u00a0\u00ab Il faut flinguer Ramirez \u00bb\u00a0achet\u00e9 \u00e0 la librairie du festival.\u00a0<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Un tirage au sort pourrait \u00eatre envisag\u00e9 dans certains cas.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolas Petrimaux d\u00e9bute sa carri\u00e8re en 2004 au sein du studio Visiware, sp\u00e9cialis\u00e9 dans le d\u00e9veloppement de jeux sur mobile et plateforme de t\u00e9l\u00e9 interactive (Canalsat, Open TV), sur des licences comme Fast and Furious ou King Kong. En 2006, il rejoint le \u00ab\u00a0lab\u00a0\u00bb, d\u00e9partement cr\u00e9atif de la soci\u00e9t\u00e9 Sparx-FX (devenu Snarx-FX en 2008) o\u00f9 [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":4815,"parent":4494,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4802","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages\/4802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/comments?post=4802"}],"version-history":[{"count":0,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages\/4802\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages\/4494"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/media\/4815"}],"wp:attachment":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/media?parent=4802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}