{"id":5105,"date":"2019-05-05T11:09:44","date_gmt":"2019-05-05T10:09:44","guid":{"rendered":"http:\/\/bdmiam.fr\/?page_id=5105"},"modified":"2019-05-05T11:09:44","modified_gmt":"2019-05-05T10:09:44","slug":"marcelo-lelis","status":"publish","type":"page","link":"https:\/\/bdmiam.fr\/index.php\/nos-artistes\/marcelo-lelis\/","title":{"rendered":"Marcelo Lelis"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2019\/05\/Lelis.jpg?resize=282%2C282&#038;ssl=1\" alt=\"\" class=\"wp-image-5106\" width=\"282\" height=\"282\"\/><\/figure><\/div>\n\n\n\n<p style=\"text-align:center\"><strong>Marcelo Eduardo Lelis de Oliveira<\/strong> est un dessinateur de bande dessin\u00e9e br\u00e9silien de Belo Horizonte, qui se distingue par son utilisation des couleurs directes dans son encrage. Il a publi\u00e9 ses travaux au Br\u00e9sil, en France et en Serbie. Il a commenc\u00e9 comme illustrateur \/ reporter pour des journaux tels que <em>Di\u00e1rio de Montes Claros<\/em>, <em>Jornal O Norte<\/em>, <em>O Estado de Minas<\/em> et <em>Folha de S\u00e3o Paulo<\/em> dans la seconde moiti\u00e9 des ann\u00e9es 1980 et dans les ann\u00e9es 1990.<br> Il a collabor\u00e9 \u00e0 des magazines de bandes dessin\u00e9es ind\u00e9pendants comme <em>Graffiti 76% Quadrinhos e Legenda<\/em> et a publi\u00e9 son album \u00ab Saino a  percur\u00e1 \u00bb, une collection d&rsquo;histoires situ\u00e9e \u00e0 Minas Gerais, en 2001. Son  travail a attir\u00e9 l&rsquo;attention d&rsquo;un public europ\u00e9en lors de sa  participation \u00e0 une exposition lors du Festival de la bande dessin\u00e9e d&rsquo;Angoul\u00eame en 2002. Il a fait ses d\u00e9buts en Europe avec \u00a0\u00bb Last Bullets \u00ab\u00a0,  un western \u00e9crit par <strong>Antoine Ozanam<\/strong> pour la collection de bandes dessin\u00e9es Casterman KSTR en 2009. La m\u00eame ann\u00e9e, son travail a \u00e9galement  \u00e9t\u00e9 inclus dans l&rsquo;anthologie serbe Stripolis.<\/p>\n\n\n\n<p style=\"text-align:center\">Il publie \u00ab\u00a0<strong>Popeye, Un homme \u00e0 la mer<\/strong> \u00a0\u00bb en 2019 avec Antoine Ozanam.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2019\/05\/Couv_360686.jpg?resize=311%2C434&#038;ssl=1\" alt=\"\" class=\"wp-image-5107\" width=\"311\" height=\"434\"\/><\/figure><\/div>\n\n\n\n<p style=\"text-align:center\">Source : <a href=\"https:\/\/www.bedetheque.com\/auteur-18236-BD-Lelis.html\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"B\u00e9d\u00e9th\u00e8que (s\u2019ouvre dans un nouvel onglet)\">B\u00e9d\u00e9th\u00e8que<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marcelo Eduardo Lelis de Oliveira est un dessinateur de bande dessin\u00e9e br\u00e9silien de Belo Horizonte, qui se distingue par son utilisation des couleurs directes dans son encrage. Il a publi\u00e9 ses travaux au Br\u00e9sil, en France et en Serbie. Il a commenc\u00e9 comme illustrateur \/ reporter pour des journaux tels que Di\u00e1rio de Montes Claros, [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5107,"parent":4494,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5105","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages\/5105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/comments?post=5105"}],"version-history":[{"count":0,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages\/5105\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages\/4494"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/media\/5107"}],"wp:attachment":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/media?parent=5105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}