{"id":7465,"date":"2026-03-12T22:12:58","date_gmt":"2026-03-12T21:12:58","guid":{"rendered":"https:\/\/bdmiam.fr\/?page_id=7465"},"modified":"2026-03-12T22:12:58","modified_gmt":"2026-03-12T21:12:58","slug":"yan-le-pon","status":"publish","type":"page","link":"https:\/\/bdmiam.fr\/index.php\/yan-le-pon\/","title":{"rendered":"Yan LE PON"},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter size-medium\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2026\/03\/Yann-Le-Pon.jpg?resize=300%2C300&#038;ssl=1\" alt=\"\" class=\"wp-image-7450\" srcset=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2026\/03\/Yann-Le-Pon.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2026\/03\/Yann-Le-Pon.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2026\/03\/Yann-Le-Pon.jpg?w=371&amp;ssl=1 371w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Yan Le Pon<\/strong>\u00a0a commenc\u00e9 par dessiner pour l&rsquo;animation et les jeux vid\u00e9os. Avec une bande de copains qui travaillent dans l&rsquo;animation, <strong>il lance en 1991 le fanzine de BD\u00a0<em>Cochon Dingue<\/em>.<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">En 2007, <strong>il storyboarde deux albums de la BD\u00a0<em>\u00c9gide<\/em>\u00a0<\/strong>chez Delcourt, sur un sc\u00e9nario de <strong>Weytens<\/strong>.<\/p>\n\n\n\n<p class=\"has-text-align-center\">En 2011, le projet\u00a0<strong><em>Bermuda<\/em>\u00a0<\/strong>de Exp\u00e9 \u00c9ditions retient son histoire courte\u00a0<em><strong>De Gaulle et moi<\/strong><\/em>. Puis il est publi\u00e9 dans la s\u00e9rie de collectifs\u00a0<strong><em>Histoires de Lyon<\/em>\u00a0chez Lyon Capitale\u00a0:\u00a0<em>Le baron des Adrets<\/em>\u00a0(vol.\u00a01) et\u00a0<em>L&rsquo;assassin de la R\u00e9publique\u00a0<\/em>(vol.\u00a02).<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">En 2015, il retrouve <strong>Fred Weytens<\/strong> pour une fiction d&rsquo;aventures avec\u00a0<em><strong>Gold of the Dead<\/strong><\/em>, aux \u00e9ditions Paquet.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>En 2017, il int\u00e8gre le studio Xilam<\/strong> o\u00f9 il supervise les \u00e9quipes de d\u00e9corateurs sur les s\u00e9ries anim\u00e9es. Entre ses travaux d&rsquo;animation et les cours de dessin en \u00e9cole d&rsquo;art, il participe \u00e0 plusieurs ouvrages collectifs lyonnais dont\u00a0<strong><em>Les myst\u00e8res de Lyon<\/em>\u00a0(2015),\u00a0<em>Chroniques des quartiers de Lyon<\/em>\u00a0(2019) et\u00a0<em>Lyonnaises d&rsquo;exception<\/em>\u00a0(2021).<\/strong> En dehors de ses travaux dans l&rsquo;\u00e9dition, il travaille occasionnellement aux c\u00f4t\u00e9s d&rsquo;<strong>Alexandre Astier<\/strong> sur le d\u00e9veloppement visuel de projets, ainsi que sur la s\u00e9rie\u00a0<strong><em>Kaamelott<\/em>,<\/strong> et participe au storyboard du premier film.<\/p>\n\n\n\n<p class=\"has-text-align-center\">En 2023, il d\u00e9cide d&rsquo;arr\u00eater toutes activit\u00e9s en dehors de la bande dessin\u00e9e, afin de se concentrer sur\u00a0<em><strong>L&rsquo;Escadron bleu, 1945,<\/strong>\u00a0<\/em>un sc\u00e9nario \u00e9crit par <strong>Virginie Ollagnier,<\/strong> pour les \u00e9ditions Dupuis dans la collection \u00ab\u00a0Aire Libre\u00a0\u00bb (janvier 2026), dont les dessins sont mis en couleurs par <strong>Anne-Claire Thibaut-Jouvray.<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Dans ses nouveaux projets, il illustrera un sc\u00e9nario original de sa comp\u00e8re <strong>Virginie Ollagnier<\/strong>, adaptant la vie de la c\u00e9l\u00e8bre\u00a0Lee Miller, toujours pour la collection \u00ab\u00a0Aire Libre\u00a0\u00bb des \u00e9ditions Dupuis.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Achat sur place obligatoire<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"915\" src=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2026\/03\/Lescadron-bleu.jpg?resize=700%2C915&#038;ssl=1\" alt=\"\" class=\"wp-image-7466\" srcset=\"https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2026\/03\/Lescadron-bleu.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/bdmiam.fr\/wp-content\/uploads\/2026\/03\/Lescadron-bleu.jpg?resize=230%2C300&amp;ssl=1 230w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">Sources : <strong><a href=\"https:\/\/www.dupuis.com\/auteurbd\/le-pon\/6333\" data-type=\"link\" data-id=\"https:\/\/www.dupuis.com\/auteurbd\/le-pon\/6333\" target=\"_blank\" rel=\"noreferrer noopener\">Dupuis.com<\/a><\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yan Le Pon\u00a0a commenc\u00e9 par dessiner pour l&rsquo;animation et les jeux vid\u00e9os. Avec une bande de copains qui travaillent dans l&rsquo;animation, il lance en 1991 le fanzine de BD\u00a0Cochon Dingue. En 2007, il storyboarde deux albums de la BD\u00a0\u00c9gide\u00a0chez Delcourt, sur un sc\u00e9nario de Weytens. En 2011, le projet\u00a0Bermuda\u00a0de Exp\u00e9 \u00c9ditions retient son histoire courte\u00a0De [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7449,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-with-sidebar","meta":{"footnotes":""},"class_list":["post-7465","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages\/7465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/comments?post=7465"}],"version-history":[{"count":1,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages\/7465\/revisions"}],"predecessor-version":[{"id":7467,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/pages\/7465\/revisions\/7467"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/media\/7449"}],"wp:attachment":[{"href":"https:\/\/bdmiam.fr\/index.php\/wp-json\/wp\/v2\/media?parent=7465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}